I can watch it over and over.”—Patrick Kennedy, Time Out says: “In 1974, a director (Polanski), a screenwriter (Towne) and a producer (Robert Evans) could decide to beat a genre senseless and dump it in the wilds of Greek tragedy.”, Director: Billy WilderCast: Jack Lemmon, Shirley MacLaine, Fred MacMurray. ‘Stand up, your father is passing’—the line still makes me weep. Best poems and quotes from famous poets. To bring so much light, humor and love to the most dire and evil of situations is genius. Ozu’s depressing but somehow still hopeful masterpiece quietly dissects the generation gap, as children either patronize or just plain ignore their elderly parents. “I could watch Jimmy Stewart do a crossword and never get bored. Control was without enzyme (lane 2). Another poet whose work is similarly dream-like is John Berryman. The dog’s legs are burning “like brush” and the librarian is starting to lose control of herself. University of Houston Every time I watch the film, I find it affecting.”—George MacKay, Time Out says: “Meadows’s terrific autobiographical nationalist drama is unflinchingly honest about the roots of racism.”, Director: Wes AndersonCast: Ben Stiller, Gene Hackman, Gwyneth Paltrow. I showed it to my twin brother at Christmas betting him £20 he couldn't not cry. Béla Tarr’s apocalyptic final film imagines what might have happened to the horse. The librarian on the other hand, despite her job, has no real idea of what he is or what he’s experiencing. I didn’t want to leave that atmosphere, which I guess is part of the reason why I became a film critic.”—David Ehrlich, New York associate film editor, Time Out, Time Out says: “It’s a spectacularly intelligent movie, but it also succeeds superbly as suspenseful, gripping and emotionally affecting drama, thanks in no small part to the uniformly excellent performances.”, Director: Michael CiminoCast: Robert De Niro, Christopher Walken, Meryl Streep. "I would’ve been 11 or 12 when I saw this at the cinema—my mum was sick in bed, so I saw it on my own then ran back and told her the entire plot in painstaking detail, a bit like Peter Falk and Fred Savage in reverse. At New York’s exclusive Shaffer Conservatory, jazz is more than a passion—it’s a martial discipline led by abusive instructor Terence Fletcher (Simmons). “Absolutely perfect screenplay, acting, camera, everything. Imagine Dragons - Demons 40. This was more or less his first film and I can barely imagine what it must have been like to see it at the time. “I am drawn to filmmakers who are blessed enough to take the rules, respect them and flip them on their head—all the while maintaining an entertaining piece. A lively sampling from the work of one of the most celebrated and daring poets of the twentieth century John Berryman was perhaps the most idiosyncratic American poet of the twentieth century. “I first saw this when I was in fifth grade at a sleepover and it completely changed my life. “Easily my favorite musical movie. If you don’t like this film, we can never be friends.” —Emma Kennedy, Time Out says: “Ever wonder if Wes Anderson has read J.D. We used to listen to the soundtrack when he drove me to Little League games.”—Bill Hader, Time Out says: “Kubrick’s sensationalistic social satire has its detractors (the usual claim of all stylistic brio, no substance), but it’s undeniably funny, scabrous and chilling.”, Director: Frank CapraCast: James Stewart, Donna Reed, Lionel Barrymore. “This brilliant, atmospheric thriller is Robert Mitchum’s finest hour. Everyone in the film is fantastic, especially my all-time favorite actress Katrin Cartlidge, but Emily Watson is totally devastating. Found inside – Page 272How the Best Friend of Francis of Assisi Almost Destroyed What He Started Jon M. Sweeney ... This is my summary. See also Thich Nhat Hanh, ... John Berryman, “Dream Song #22,” in The Dream Songs: Poems, ed. “Who doesn't want to see Dustin Hoffman in a dress talking with a southern accent?”—Nick Kroll, “The game-changing cinematic cross-dressing performance—and a more important movie, from both a craft and sensibility perspective, than most people make it.”—BD Wong, Time Out says: “The tone is quick-witted and appealing, with some of the smartest dialogue this side of Billy Wilder, and a wonderfully sure-footed performance from Jessica Lange.”, Director: Francis Ford CoppolaCast: Marlon Brando, Al Pacino, James Caan. In a towering pink mansion situated somewhere in a dreamlike 1930s Alps, the elegant Monsieur Gustave (Fiennes) keep old-world civility alive as best he can, while a young lobby boy (Revolori) comes under his fragrant tutelage. “Gena Rowlands made such an impact on me. But it’s worth it. The Coen brothers’ darkly funny crime story features a star turn from Frances McDormand as a pregnant sheriff, and its multiple Oscar nominations helped to bring American indie cinema in from the cold. It’s a masterclass in how it is always better to do what is right than what is popular.”—Emma Kennedy, Time Out says: “It looks like a storybook of the Old South, with dappled sunlight and woodwormy porches, and Peck is everyone’s favorite uncle.”, Director: Francis Ford CoppolaCast: Al Pacino, Robert De Niro, Robert Duvall. Many folks consider this one Alfred Hitchcock’s greatest; if nothing else, it features Cary Grant at his least sympathetic, playing an agent who coerces Ingrid Bergman into marrying spy Claude Rains in order to secure information. In The Song of the Lark, as Dr. Archie and the Rev. What are the best movies of all time? Dean Lewis - Waves 45. The terrifying scene on the beach where Paddy Considine’s character flips is forever burned into my memory. Proteins were resolved by 15% SDS-PAGE and revealed by Coomassie blue staining. "—Tom Huddleston, assistant UK film editor, Time Out, Time Out says: “To comment is to betray the film's extraordinary complexity, but basically it returns to two favorite Bergman themes: the difficulty of true communication between human beings, and the essentially egocentric nature of art.”, Director: Woody AllenCast: Martin Landau, Alan Alda, Mia Farrow. 1 Oliver Evans and an early American steam powered amphibian [steamboat, transportation, steam engine, auto, Oructor] 2 The Jacquard loom and the invention of the computer [weaving, Babbage, cards, textile] 3 The monk who flew in 1005 AD [flight, medieval, Firnas, glider, Benedictine, airplane] Made by Britain’s independent filmmakers the Archers at the height of their powers, this supernatural romance stars David Niven as a dead British pilot attempting to argue his way back to corporeal existence. This early work from Cuarón (Gravity) follows 17-year-old horndogs Julio (Gael García Bernal) and Tenoch (Diego Luna) on a road trip to a legendary beach. A perfect blend of characters, too, from Robert Redford, Paul Newman and Robert Shaw.”—John Dagleish, Time Out says: “Hill's follow-up to Butch Cassidy and the Sundance Kid, teaming Newman and Redford again, sticks to the same proven formula.”, Director: Christopher GuestCast: Guest, Fred Willard, Catherine O'Hara. “The fire of Robert De Niro's performance is so fascinating throughout that only after watching it, when you step away from it, do you appreciate the work and the length to which he went to achieve it. Amazon.com Books has the world’s largest selection of new and used titles to suit any reader's tastes. John Huston’s smudgy fingers are all over Paul Thomas Anderson’s towering masterpiece about an insatiable oil man and capitalist (Daniel Day-Lewis) who’s in desperate need of a hug. He was a master in the making.”—Emma Kennedy, Time Out says: “Laughton’s film makes the average film noir look like afterschool kids’ TV. These days, shaky, intimate, handheld digital filmmaking is everywhere. Once seen, never forgotten. ), but this is love story to swoon to.”’—Cath Clarke, UK film editor, Time Out, Time Out says: “An overhyped, underwhelming mixture of spectacle and bathos.”, Director: John SchlesingerCast: Dustin Hoffman, Jon Voight, Sylvia Miles. There isn’t a false note to be found among the many sprawling performances by an utterly perfect ensemble.”—John Gallagher Jr. Time Out says: “The movie places an unusual emphasis on verbiage: beautiful arias of profanity, neurotic scheming, paranoid delusions. British filmmaker Loach is consistently named as a major influence by directors from around the world; this film is proof that all that praise is more than warranted. Gotye uses a sample of Brazilian jazz guitarist Luiz Bonfá's 1967 instrumental song "Seville", with additional instrumentations of beats and a xylophone. FGvW Appoints two New Local Partners in Information Technology and Labour Law. The song was described as electropop, dance-pop, pop-trap, and nu-goth pop in press reviews, for which synth bass, a kick drum, finger snaps and 808 bass provide minimalist instrumentation. “I'm not sure that Natalie Portman has ever topped the performance she gave at age 12 in Léon.”—Cath Clarke, UK film editor, Time Out, Time Out says: “Initial wariness between the two characters turns to something warmer, mutually affecting and sentimental. Heuking admits 15 lawyers as new equity partners and salaried partners. “It’s my favorite book, and they didn’t fuck it up. The Ball Poem by John Berryman John Berryman is an incredibly interesting writer who is best-known from his “Dream Songs,” a collection of 385 “songs” that expanded throughout his lifetime. Look out for your first newsletter in your inbox soon! Then seeing him in this made me understand what type of actor I wanted to be. Margaret Hamilton just looked like she was having the most fun of anyone. Imagery is another important device that is seen in the best, most evocative poetry. “I watch this once a year. I wish I'd been around then. Oh, and Anna Paquin’s in it too. Al Pacino and John Cazale give two beautiful performances in the kind of movie I always wanted to be in. Found inside – Page 194John Berryman, “Dream Song 4,” in John Berryman: Selected Poems (New York: Library of America, 2004). 2. L. L. Sievert and C.A. Dubois, Validating signals of ovulation: Do women who think they know, really know? “Just a beautiful film.”—Nicholas Pinnock, Time Out says: “Wildly uneven or not, the Italian director’s work has been a bright spot in his nation’s fading cinema, and he seems to be purposefully willing a return to yesteryear’s golden age of grotesques and ennui.”, Director: Steven SpielbergCast: Liam Neeson, Ben Kingsley, Ralph Fiennes. We would like to show you a description here but the site won’t allow us. Roll end credits. Scorsese’s iconic breakthrough rolls through the rusted underbelly of Little Italy as it used to be, shining a light on the violent world of small-time hoods that he would explore for the next 40 years (and counting). , Mike Nichols adapted Edward Albee’s marital merry-go-round of bickering into a forum for on-off married couple Elizabeth Taylor and Richard Burton to engage in some very public relationship therapy. I'd like to think it reflects the best parts of our humanity.”—David Gyasi, Time Out says: “A determinedly Chaplinesque comic fable.”, Director: Frances Ford CoppolaCast: Martin Sheen, Marlon Brando, Sam Bottoms. The librarian is included in this poem as a clear contrast to the speaker. Paddy Considine (Dead Man’s Shoes) has become one of the U.K.’s most important actors; here’s another chance to catch his first standout performance, as he causes a rift between two young Yorkshire lads. The look on Judy Garland’s face when she first sees Oz. can derail this nihilistic and exhilarating update of 8 1/2.”, Director: Anthony MinghellaCast: Juliet Stevenson, Alan Rickman, Jenny Howe. The use of pop and opera and the black-and-white photography (by Michael Chapman) are exemplary. It’s dangerous, hilarious, bold, game-changing.”—Riz Ahmed, Time Out says: “Society may be on the point of self-combustion, but this film betrays no appetite for the explosion. “A perfect plot and incomparable performances throughout.”—Celia Imrie, Time Out says: “Joseph L Mankiewicz’s film dissects the narcissism and hypocrisy of the spotlight, but pays equal attention to the challenges of enacting womanhood.”, Director: Roberto BenigniCast: Roberto Benigni, Nicoletta Braschi, Giorgio Cantarini. And that’s the exact moment I knew what I wanted to do with my life.”—Kristen Johnson, Time Out says: “Like Chaplin’s The Kid or E.T. “I seriously wonder if the people who dismiss this film have ears. “I remember being so awed when I watched this. I was so excited by it. Malick returned to filmmaking 20 years after Days of Heaven with this towering adaptation of James Jones’s WWII novel. 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